Good Things

2016.3 / 2016.5

I moved to Milwaukee in late 1983, and after a few months finding my feet in an urban environment, started getting into the local music scene, which was amazing at the time.  And in 1986, in the last gasp of what was called the Clamshell at Summerfest, clamshell.jpg there was an epochal local bill:  R&B Cadets, the Bodeans, and the Violent Femmes.  On a night after the previous days rain, so it was muddy as fuck. (coincidentally, as I write this, it is raining)  And really, the night was as awesome as fuck.  Every one of those bands was at the height of their young, spit-filled hormonal young power.  It was what was considered the Main Stage at Summerfest at the time, and it was a display of the great music that was percolating in the city at the time, and it was amazing and we had a stellar, muddy, drunken time. My!  Didn’t we just!

At this point, I want to step back a bit.In 1985 or so, my roommate took me to a dive near the River to see “Da BoDeans” in a small sweaty room with like 20 other people.  They did not yet have a bass player, but the feral, vital songs and the interplay between Kurt and Sammy’s vocals was already amazing, even in that environment. The amazing chemistry was there.  The amazing songwriting was there.  It was raw (LOL. Like I find that as a problem) but man, it was hot and sweaty and so rock and roll that it hurt.  I have been a fan ever since, and we have seen the BoDeans in so many different places, and different incarnations; I saw them as a duo playing as He&He in an East Side Bar.  We’ve seen them at the Marcus Amphitheater, as massive rock stars.  The Bodeans are always a good show…

And then, they had what seems to be an irreconcilable separation between Sammy and Kurt, the primary members of the BoDeans.

So on Friday, the 3rd day of Summerfest, we saw Sammy Llanas playing in a sweet spot between Brian Fallon (of the Gaslight Anthem) and Trapper Schoepp.

I will confess up front that since the first days of the band, I preferred Sammy’s vocals – the raw, unprocessed and emotional aspects of it.In fact, when the first album came out, there was much discussion about how much we disliked that his voice was mixed down…funny, in retrospect.

Another personal note.  A few years ago, we went to the Zoo for A La Carte, and the BoDeans were supposed to play.  But Sammy had dropped the bomb on Kurt like three days before, so he did the best he could with the band he could drum up….

So, it was mordantly amusing and more than a bit weird that we saw both primary members of the BoDeans were playing at Summerfest this year, on different days.  And it deserves a Delicious or Disgusting  dammit sorry, 3Bulls leaking through to reality-  but a review that compares them.

Sammy had a small, stripped down and pretty great band.  His voice was great.he worked hard.  He played a couple of his solo songs, but mainly focused on the songs he did with the Bodeans band. but man, was he good.  His voice was a bit lower than in the day, but it served the songs well.  And although I did not miss Kurt on “Naked” (more on that later) I felt the biggest lack of another vocals was during “Still The Night”

Kurt retained the name, and the Bodeans show was much bigger,  on a bigger stage, with bigger lights, a bigger band, better sound, and much more production.  But then, I always though Kurt wanted to be Bruce Springsteen…

The sound for the ‘official’ Bodeans show was great, and the band sound was really awesome.  It was very big. They had Kenny Aronoff on drums, which was a secret weapon.  I kind of hated the fact that Kurt played guitar with his fingernails, rather than a pick; I have done that and  I HATE IT.  But his guitar, which I suspect is custom, is gorgeous .  So balance.

In all, both shows featured some really great songs. I figure that it mainly organized itself by whoever wrote whichever song.

And here is what I saw and heard: there was one band that had stellar musicianship and sounded like a star cruiser making liftoff; and there was one that had the songs.

And that the songs, when presented, are much better served by a simpler presentation, with a more straightforward approach.

Man.

I have been a part of the BoDeans life for so long, and they have been a part of my life for since forever.  Let me tell you; when they released their first live album “Joe Dirt Car”, it was named after one of my good friends.

OK, so let’s get down to it.  Kurt’s band was amazing and really well rehearsed and good with what they did.  On the few songs they did that usually had Sammy vocals, they ….well, let’s not say they sucked,, because they didn’t.  But they certainly were…lacking.

Sammy’s set, was, IMHZO, much better, and he was able to deal with the lack of Kurt’s vocals.  I need to say right here that Sammy can pull off ‘Naked’ on his own and Kurt can’t.  But the one I thought was lacking was “Still The Night”.

This, of course, comes down to a personal choice.  With the difference ideas we have about music and our different histories regards to the BoDeans, Wife Sublime and I still both agree that Sammy’s show was better.

If Summerfest ever books them both on different stages at the same time, I will opt for Sammy, no hesitation.

It is truly a real life demonstration of the adage “The whole is greater than the sum of its parts” and regardless of how talented the two are in their own rights, the work they did together was elevated into another realm.

Don’t get me wrong; I really enjoyed both shows.  Nothing to complain about.

But knowing, and having experienced, the history of the Bodeans, I knew at a very basic level that the magic and collaborative spark they had was something special, and it is kind of tragic that they ended in a way that is very difficult to reconcile.  It’s sad for us fans, and it’s sad for them; they were once good friends and great partners.

I will leave you with a song (clearly influenced by their time spent opening for U2) in a local venue and yes, we were there, and yes, this is available as a live release:

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